A large and rare diamond-shaped wall mirror designed by Luigi Brusotti for Fontana Arte, Italy, 1950s. An extraordinary decorative object that perfectly encapsulates the poetic and material experimentation of Italian glass design in the postwar period.
The mirror is defined by a refined internal brass frame, which outlines the geometric silhouette with precision and warmth. Surrounding it is a stunning Nile green glass mirror, entirely hand-cut and shaped — a hallmark of Fontana Arte’s artisanal production. The glass displays the subtle irregularities and nuanced transitions typical of manual workmanship, particularly visible at the corners and connection points between the sides. These are not flaws, but rather the unmistakable traces of hand-finishing, lending the piece depth, character, and authenticity.
The reflective surface presents a beautiful, finely speckled patina — the result of the natural aging of the silvering layer beneath the glass. This phenomenon, often seen in high-quality mid-century mirrors, occurs through gentle oxidation of the reflective coating over time, creating a soft, almost atmospheric texture that enhances the visual richness without compromising functionality.
Patinated brass side buttons secure the structure and complete the composition, adding a subtle architectural rhythm and reinforcing the object’s sculptural presence. From every angle, the mirror reveals an interplay of materials — brass, glass, reflection, and light — that feels both rigorous and sensual.




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