An important and exceptionally elegant pair of Italian wingback armchairs designed by Enrico Pellegrini in 1945.
The model is documented in the publication “Furniture of architects and designers of Turin 1945–1965” by Davide Alaimo, page 191, where the chairs appear in a period photograph from the Pellegrini Archive, shown in the interior of the Mazzonis residence, circa 1945.
This newly identified attribution places the armchairs within the refined post-war Turin design scene, where architects and designers developed a highly personal language combining craftsmanship, architectural structure, and decorative sophistication.
The chairs feature a beautifully enveloping silhouette, with high winged backs, generous upholstered volumes, and a strong yet graceful presence. Their most distinctive element is the pair of sculptural solid wood armrests: fluid, sinuous, and almost calligraphic in their movement, they extend outward in an elegant continuous line before curving gently forward. This expressive wooden structure gives the chairs a remarkable sense of rhythm and lightness.
The contrast between the tailored upholstery and the warm carved wood creates a refined balance between comfort and architectural clarity. The gently flared backrests, shaped side wings, button detailing, and tapered wooden legs further enhance the sophisticated character of the design.
The pair has been recently reupholstered in a soft dark green semi-velvet fabric with a subtle sheen and pleasant tactile quality. The upholstery gives the chairs a rich, contemporary presence while respecting the elegance of the original form. The padding is comfortable and supportive, making them suitable for both functional use and decorative placement.
The wooden armrests and legs retain a warm tone with natural signs of age and patina consistent with their period, contributing to the authenticity and charm of the pieces.
A rare and historically significant pair of Italian armchairs, now correctly attributed to Enrico Pellegrini and supported by archival publication. Perfect for collectors, design galleries, refined living rooms, libraries, or interiors seeking a documented example of early post-war Italian design.
Literature:
Davide Alaimo, *Furniture by Turin architects and designers 1945–1965*, p. 191. Model illustrated in a period photograph from the Pellegrini Archive, Mazzonis residence, circa 1945.




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