Sculptural brass wall sconces, Italy, attributed to Angelo Lelii, 1950s

Rare architectural objects in which light assumes a sculptural presence. Executed in solid brass with absolute rigor, these wall-mounted pieces are conceived as objects before being luminaires.

Each sconce is built around a visible light source. A central vertical blade establishes the axis, while a calibrated array of brass rods generates rhythm, depth, and shadow. Light becomes spatial, measured, architectural.

The formal language belongs to the most experimental season of Italian lighting in the 1950s, within the cultural orbit of Angelo Lelii and the radical research of Arredoluce, where light was conceived as a material rather than an effect.

Produced in very limited numbers and rarely encountered today, these sconces stand as highly sculptural and expressive works. Time has softened the brass surfaces, leaving a natural patina — traces of age not as defects, but as evidence of authenticity and rarity